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Knees! March 30, 2009

Posted by Jennifer in General, Tips & Techniques, health.
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Update: Thanks for all the concerns of well wishers, my knees are much better now and I’m back to dancing! :-)

My knees had been aching since the competition where I danced on the uneven plywoods 2 weeks earlier. Though I have knee injuries since abt 2 yrs ago, the injury had been under good care with my constant wearing of knee-guards and glucosamine+chondroitin supplements. With the throbbing pain in my knees, I feel compelled to share whatever I know, so other dancers would not have to go through this.

Knee Anatomy

Knee Anatomy

Extracted from Wikipedia:

The knee is the lower extremity joint connecting the femurpatella, and the tibia[1] and the surrounding anatomical region which includes the popliteal fossa, also known as “knee pit”. The largest and most complicated[2] joint in the human body, the knee is a mobile trochoginglymus (i.e. a pivotal hinge joint[3]), where flexion is a combination of rolling and gliding movements while some rotation is allowed in the flexed position.[4] Since in humans the knee supports nearly the entire weight of the body, it is the joint most vulnerable both to acute injury and the development of osteoarthritis.

As the knee is so injury-prone, it’s small wonder why so many line dancers have knee problems. So, no, knee injury is not an age issue, though it tends to get more frequent as you age. Here, I would like to create more awareness about our vulnerable knees and hope it will prevent your knees getting into trouble!

Possible causes of knee-pains in line dancing (wear & tear):

Osteoartritis (OA)

Although OA is said to be genetically linked, many of my friends who have OA are on the heavier side. The knees are bearing the brunt of the increased body weight and although line dancing is a low impact activity, however, the heavier your body weight is, the more strenuous your knees would have to hold them. In OA, your cartilage gets thinner and thinner (think about the sole of your shoes getting thinner due to friction), and so knee joint loses it cushioning. The thigh bone (femur) and shin bone (tibia) would then bang each other and thus causing pain and discomfort.

Meniscus Tear (MT)

Not many people realised they have MT as they would probably think they have OA due to aging. MT is caused by the forced rotation of the body (until the thigh) with the feet (shin onwards) firmly on the ground. So the knee joint at the centre bears the brunt of your twisting stunt. Remember that our knees (like our elbows) are designed in such a way so that our shin can move in 2 dimensions (unlike our shoulders/pelvic joints which allow a 3 dimensional movements). Here’s a good video showing how the meniscus is torn.  Video.

Symptoms of MT are feeling of weak knees and clicking and popping sounds when you straighten or bend your knees.

How to prevent Knee Problems while line dancing:

Shoes

First of all, a good pair of dance shoes is the most fundamental requirement in line dancing. Many line dancers dance in their walking shoes or sports shoes which is actually very bad for the knees. Although line dancing is a low impact activity, line dancing is still dancing and it requires dancers to turn and twirl and thus the sole of the dance shoes is very important to give us this ability to turn and twirl, to slip and to glide, but not to fall.

Just like there are track sneakers with spikes for track runners to grip the track, as there are tennis shoes, badminton shoes, aerobic shoes, golf shoes – all differently designed specifically for the nature of the game and the ground, the same goes for line dancing. It’s appalling to see line dancers refusing to invest in a good pair of dance shoes and then later complain of knee pains which would require more $$$ to treat!

A good pair of dance shoes would not only allow you to twist and turn easily but stably. With a wide range of shoes, from open toes heels and dance sneakers, easily available, every line dancer should seriously think to invest in one, for the health of your knees!

Flooring

The best flooring would be timber/parquet/laminated floors as our dance shoes would be able to interact well with them. Other smooth and non sticky floors will do too, but the hard surface may cause more impact to the knees compared to the wooden one. As a dance venue is often a headache, dancers are normally more than happy to find a space to dance on, be it on the cement badminton court, tiled floor or just plainly on the field. Just make sure that you will be able to easily twist and turn on the floor. Field is a definite NO NO, as the ground is not levelled (some parts high and some parts low). Not only you will hurt your knees, you might even injure your nerves, tendons and muscles!

Techniques

Execute your dance steps using the correct techniques to minimise your injuries. The correct frame/posture, weight placement, feet positions, momentum, preps and arm movements before executing a step are essential for balancing and letting your body know what it is going to do next. Also, dancing from your core/centre will lessen the weight concentrate on your poor feet/knees thus less impact on them!

Knee-guards

A good pair of knee-guards will also help to strengthen the knees and hold ‘everything in the knees’ in place. An absolute must if you have weak knees or suspected OA or MT especially when you dance or do other strenuous activities.

Glucosamine (+Chondroitin) – prevent, maintain & treatment

Glucosamine (C6H13NO5) is an amino sugar and a prominent precursor in the biochemical synthesis of glycosylated proteins and lipids. A type of glucosamine forms chitosan and chitin, which composes the exoskeletons of crustaceans and other arthropods, cell walls in fungi and many higher organisms.  Glucosamine is one of the most abundant monosaccharides.[1] It is produced commercially by the hydrolysis of crustacean exoskeletons or, less commonly and more expensive to the consumer, by fermentation of a grain such as corn or wheat. Glucosamine is commonly used as a treatment for osteoarthritis, although its acceptance as a medical therapy varies.

Since getting my knee injury 2 years ago, I’ve been introduced to this Glucosamine supplement which, I was told,  would increase the cartilage in your joints and knees inclusive. It’s in the form of capsules and readily available in pharmacies in different dosage, 250 mg, 500 mg and more recently 1500 mg, depending on the severity of your condition or just for maintainance or prevention. My doctor told me that the absorbency of glucosamine into our body system is not too high and if you take glucosamine with chondroitin, the absorbency level would be much higher and thus more effective.

And more recently, a kind of transdermal glucosamine cream has been launched into the market whereby the glucosamine is directly applied to the affected area (ie. knees) and thus absorbed directly into the knees. (Thanks Harold)

Treatment

Consult your doctor for the best available treatments.

End note

Prevention is better than cure. Once a damage is done, your knees will not be as good as new anymore. There will be moves which you will not be able to make properly etc. It is important to take care of our knees so that we may dance well into our old age. Take good care of them before it’s too late!

Line Dance Competition – MBPJ Karnival Rakyat March 17, 2009

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Karnival Rakyat Selangor

Karnival Rakyat Selangor

LOL, never would I imagine I’d be taking part in a line dance competition! But after watching our performance during DAP Women’s Day LD party, we were encouraged to join a LD competition organised by the local council MBPJ in conjuction with Karnival Rakyat (People’s Carnival). Since it required almost no extra efforts (or so we thought!), we thought alright, let’s do it and recycle our performance! (and hope to win some cash to cover our costumes costs!)

The competition was to be held just a week after the performance (Sun, 15 Mar 2009), exactly 7 days. As in my earlier post, the only time which we could all practice was Saturday mornings for 1 hr or so. However this time round, Maggie could not join us as she’s moving house, while Desmond had to be at work on that Saturday morning. As Maggie couldn’t join us, we had to restructure our formation but can’t actually do it properly as Desmond wasn’t there with us! We also unofficially had Wendee Chen as our team manager as she put in the registration forms for us and informed us of the competition. :-)

Not only that, we had some Latin couple dancing in our routine which had to be scraped off, as it’s a LD competition! And again, Desmond was involved in that … So, it’s just 6 of us restructuring our formation and positioning for 7 dancers. Practice? Haha, almost non existent as by the time we got all settled, it’s noon and we all had to go! I had then relayed the changes via phone to Desmond. Thank Alexander Graham Bell for that!

ChinaTown KL

ChinaTown KL

Later in the evening, the 3 of us ladies, drove to ChinaTown (Petaling Street) in search of the Butterfly drape top which Cindy and I wore during last week’s performance. The other girls liked it and thought we should all be in uniform since it’s a competition. But we walked up and down Petaling Street to no avail, none of the shops has the stock any longer as these tops were bought about a year back. We then decided to get 5 similar tops for the girls at least to be uniformed. But… those tops that were available in a quantity of at least 5, were NOT NICE, and those that were nice, were NOT available in 5 pieces!

We walked in and out several shops, some frequenting it for more than 3 times, to ’stock check’ in case we can find the same top, hopefully, 2 in Shop A, 2 in Shop B and 1 in Shop C. LOL. It then started to rain and our legs began to ache. Poor Jocelyn wasn’t even feeling well as the flu virus was attacking. But she, being the ultimate shopaholic, bought so many other stuffs! LOL. I just lost count…! We left ChinaTown empty handed (of the costumes) and drove dejectedly back to Subang. It was then we decided to hop into Summit Subang to try our last chance. And there we found something NICE and available in 5 pieces! What a wasted trip to Chinatown!

We all went home extremely tired. Supposed to meet at the venue the next day at 11am as we wanted to mark our steps first and show Desmond the steps physically. Competitors shd be there by 12pm.

We gathered at A&W adjacent to the venue. As most of us hadn’t had breakfast, so it was breakfast at A&W. And while munching down those fries and gulping down the root beer, we ran through some steps/formation/arm movements with Desmond, with the music blarring from my handphone.

Group pic

Group pic

We then moved to the venue. It had rained the day earlier and the venue was Dataran PJ – a large field where cricketers/footballers practice in the evenings and on weekends. Thus, the ground was kinda muddy. The ’stage’ where we’re supposed to dance on was a small space on the field covered by 6 x 2 plywood boards. Go figure…

Our team drew 2nd pole position in a pool of 6 teams. First team was a group of Cowgirls in vests and cowboy hats and a pistol to match! Can’t remember much what they did as we were quite tensed, but their ending pose was to fire their pistols and the rubber sucker ‘bullet’ flew out. Creative!

Then it was our turn and we went onto the planks. Not easy to dance especially with our smooth NC2S dances, we can’t even turn/twirl properly.

Finale pose

Finale pose

Thus our steps r not too uniformed as each of us struggled to keep balanced on the planks atop uneven grounds below. Likewise, when team Cindai came in, it’s very noticeble that they were struggling with the floor and the space too. We quickly adapt and thus JB Summertime, Cha Cha Conchita and Dhoom Dhoom were better executed. In fact, Cha Cha Conchita was very well and uniformly executed, payback for the boohoo we did during the previous Sunday!

After our turn, there were a kids team (age abt 10-12) doing Mony Mony. They were so cute! After that, there were a teenagers team doing Part Time Lover who were pretty impressive too. Both teams are under Lane Lee and are frequent LD competitors. Then there was another group of middle-aged ladies dancing A-go-go to a chinese song. Lastly was another group of ladies in green tshirt, doing Southern Delight. So there were a total of 6 teams competing.

Receiving prize from Menteri Besar Selangor - Tan Sri Khalid Ibrahim

Receiving prize from Menteri Besar Selangor - Tan Sri Khalid Ibrahim

The competition ended at about 1pm but we had to wait till 4.30 pm (after all the speeches) to know the results. We won the 3rd prize, winning RM300 and a hamper of junkfood. 1st and 2nd place went to the frequent competitor teams, the kids and the teenagers. There was a little bit of ‘drama’ after we collected our prize which amused us a great deal, but no, I’ll leave that out of this post! :-P

The moment we left Dataran PJ with our winnings, the sky broke open and the rain poured cats and dogs.

And so how do we split our cash prize? We’re having a get-together again for some great seafood this weekend to celebrate our win. What else is heavenly besides dancing? FOOD! :-P

 

At PJ Seafood Restaurant

At PJ Seafood Restaurant

Medley Performance at International Women’s Day Line Dance Party March 10, 2009

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The Making

The party was organised by DAP and my friends and I were invited to put up a performance – any performance. As Line Dance steps are repetitive and would bore the audiences, I decided to do a medley. Since it’s a multiracial party, I decided to do a medley of Chinese, Indian, Malay, Latin and Funky dances.  After all, my friends and I had a collective choreography of all these genres. The dances were shortlisted to Innuendo (Malay), Fairy Tale (Chinese), Cindai (Malay Ethnic – Janice Khoo), JB Summertime (Funky – Sue and friends), Cha Cha Conchita (Latin Cha Cha) and Dhoom Dhoom (Indian – Amy Christian).

Dancers

Dancers during practice

Dancers during practice

As it was a medley, I require more dancers to take part so we can exchange dancers for different music and exchange costumes. As a few of us had done a brief performance of Innuendo before, I got back the same dancers: Annie, Maggie, Cindy and myself would be doing Innuendo + Fairy Tale. Desmond and Jocelyn were interested too, and I remembered that Jocelyn did a performance of Cindai before, so, she will taking that on. I needed another male and another female dancer to dance with Desmond and Jocelyn, and Sae Min offered for the male role. I felt so privileged to have such a professional dancer on our team! Janice, who is currently residing in Penang, was unable to join us, simply because she’s 4 hours drive away. No way she could practice with us. Then our team was complete with Siew Lee, another excellent dancer, joining our team. :-)

Music

I spent countless hours cutting and stitching the music at the correct positions. Taking into account, who’s dancing what, moving in and out, time to change costumes etc, shouldn’t be too long nor short, correct place to chop off the music etc… Not until the last practise did I finalised the music, removing several parts and adding in others.

Costumes

flare skirts

flare skirts

A dance buddy, Mei Ling, had suggested earlier that the use of flare skirts in Innuendo would be nice, thus this time, the 4 of us spent RM40 each on the flair skirts from Petaling St.

learning to wear the sampin

learning to wear the sampin

As for Cindai, we had Soo Wong who helped us to loan the songket and songkok from another friend whose son recently got married! The basic wear was “All Black and Blinky”.

Practice

By the time we gathered all 8 dancers, it was just 3 more weeks to the big day, Mar 8. As we were all extremely busy people, with classes to go, to teach, full time job, family commitments etc… the only free day for everyone to come together to practice was only Saturday mornings, that too, for only 2-3 hrs each session. Noting that all of us never danced together before, makes it harder for us to get accustomed to each others’ dance styles. The first practise was to teach one another the dances in the medley as not everyone know every dance. Both guys missed the 2nd practise as Sae Min was in a competition while Desmond had to work late the night b4. We 6 girls finalised the arm movements and formation.

partial dress rehearsal

partial-dressed rehearsal

3rd practise was a day b4 the  big day, and we all had a partial-dressed rehearsal (to time the changing of costumes) and got the guys accustomed to the arms and formation. It was getting there and everyone was happy.

The Big Day

The big day arrived and few of us can’t sleep the night before as we’re too excited and nervous. Haha… we went earlier to mark our steps and get accustomed the walls. We then realised that we can’t use the stage as the VIPs will be sitting on it to watch us dance. Our performance was the last after Rezall & Partner (Latin), Sae Min (Winning dances) and Morina (Asmaradana). All of them performed excellent shows. And now it’s up to us. Our dance was 5 and a half minutes long so we hoped we would not bore the audiences, especially with ours being the last one after so many performances.

Our performance started off with 2 slow numbers (Innuendo & Fairy Tale). We used scarves as our props to help accentuate our arm movements and grace. The tempo increased with Cindai and the crowd cheered loudly seeing the handsome guys and pretty girls wearing songket sampin. The dancers then moved out (and removed the sarong) while Cindy and I skipped in again for JB Summertime, a funky number. An energetic dance, though I slipped once during the slide.

Finale pose

Finale pose

After that was a couple Latin dance followed by Cha Cha Conchita. There were a few hiccups on the last rotation but the dancers quickly recovered from it. The dance ended energetically with the powerful Dhoom Dhoom.

We were wildly accepted with a big round of applause and ‘wolf-whistles’ from the audiences which really encouraged us. It was satisfying and we had great fun, all through the practices and the real thing itself. We all promised to work together again in future :-D And there goes our ‘free’ Saturday mornings again!

Video

Upload your LD videos @ http://ldv.fliggo.com March 4, 2009

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Line Dance Video

Line Dance Videos

I yearn for a LINE DANCE ONLY video site and found a video blog in FLIGGO. Thus I started LDV which stands for LINE DANCE VIDEOS – hehe, what else?

It’s still a start so the more linedancers join in and upload their videos, the more complete this site will be.

Sign up now at http://ldv.fliggo.com. Start uploading and learn/watch your Line Dance videos here! And spread the GOOD NEWS around!!

See u there! ;-)

Joyce’s Conchita ‘wiggling’ March 1, 2009

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For those who are avid followers of DanceDiary (account suspended), do check out Joyce Lim’s new Youtube account jusdanz. Now you can ogle at Joyce doing her wiggles. :-P

Other Cha Cha Conchita dance videos by senipadu, jlim633, icrystall8, YAElinedzone are available on youtube. Do check them out too. :-)